There is also the raw self evidence of the play on words

WHAT I WILL BE SAYING about A Goal Have fun is not necessarily because we've seen it in this case, 1 but as I have contemplated it before, inside the mind's eye, along with some regret that will, although I'd long been attracted to stage it, for one reason or other—perhaps the preventing prospect—I never ever came to accomplish it. That the idea is getting consideration today, and definitely not only here, may be telling us all something, although as together with their Swedenborgian intimations, triplex ensemble, occulted symbols, often the “round bored holes together with a clover leaf in the front door, ”2 typically the visual warp in the shown refractions or, along with a number of shifts and reversals of eyesight, recessions connected with appearance in a sort associated with camera obscura—the dark photo of the cloud muting the darkish picture of the tower—we may not end up being sure what it can be. Or, maybe, appallingly, solely very sure, so very much so that a few clairvoyant level we might would like we didn't understand, just like the Quarantine Master within the Dire Straits who wishes he could forget (238). In case, for Strindberg, just what there was clearly to be identified came in many gauge from the vicissitudes of the unconscious, with the libidinal information transformed into phallic aconites and vulvous grottos, or a appendage growing to be Fingal's Cave, there will be also the raw self-evidence, the banality, brutality, inequitably unchangeable, implaca

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